Curator: Maja Škerbot
Assistant Curator: Aleksandra Rošer

18. 5. - 7. 10. 2007

Koroška galerija likovnih umetnosti Slovenj Gradec
Koroška Gallery of Fine Arts Slovenj Gradec
50 let / years

 

 



ÉLODIE ANTOINE
ROSALÍA BANET
WIEBKE BARTSCH
BARBARA BERNSTEINER
TANIA CANDIANI
BARBARA CAVENG
LADA CERAR
ANDREJKA ČUFER
JOCHEN FLINZER
CLAUS FÖTTINGER
ZUZANNA JANIN
METKA KAVČIČ
JUSTYNA KOEKE
MICHAEL KOS
EDUARD LESJAK
MARTIN LÖFFKE
POLONA MAHER
ISA MELSHEIMER
JANET MORTON
ALEN OŽBOLT
SANDRINE PELLETIER
MARIJA MOJCA PUNGERČAR
IRIS SCHIEFERSTEIN
SAŠO SEDLAČEK
CHIHARU SHIOTA
KEI TAKEMURA
ANDRÉ TEMPEL
ANU TUOMINEN
JULIA VAN KOOLWIJK
MARJOLIJN VAN DER MEIJ
PETRA VARL
PATRICIA WALLER
SILKE WAWRO


Marjolijn Van der Meij


Untitled, 2006, 28 x 28 x 45 cm (figurines, wood)

In the sculptural installation by van der Meij, thread is only symbolically present. It is spun around a wooden spool held by one of the figurines in its hands. Four puppets are actually products of applied art and have been used as ready-made objects. The lands and the social stratum represented by the puppets have no significance in the work of van der Meij. Using the lovely statuettes that traditionally mark festive days and holidays, the artist has conceived a
new scene. This frozen sculptural scene first reminds one of a caricature, although the aggression of one girl against another and the two girls looking on – roguishly smiling, quietly supporting the aggression and radiating vengeance – contains no elements of caricature. The scene brings to mind the base fighting between men, and it is far from ordinary traditional images. The preconceptions about merry, reserved and decent girls in national garb, and the strange emplacement, together with the expressive gesticulation of the figures, suggest to the viewer that this is a fictitious scene. But what is the purpose of this fiction? It makes us aware that there is no reality at all; that everything is a matter of interpretation; that we live in a
world that manipulates us in all possible directions; that we are surrounded by people who manipulate us. This work stimulates the viewer to reconsider manipulation and the manipulated realities. Or, as van der Meij said, "Reality could be simple, or it could be highly complicated. There are countless answers to the same question. Do we actually wish to see reality?"


Born in 1970 in De Meern (the Netherlands). Between 1988 and 1993 she studied at the Koninklijke Academie voor Beeldende Kunsten in The Hague. Between 1993 and 1994 she studied at the Akademia Sztuk Pieknych in Warsaw (Poland). She lives and works in The Hague.

Exhibitions (selection):

2007 Does It Show, SIM, Reykjavik
International Film Festival Rotterdam, TNO-Rijswijk 1998, Rotterdam
2006 Onion City Experimental Film and Video Festival, Chicago
Celluloid/Digitaal 5, Cinema de Balie, Amsterdam
2005 Isolacinema, Ljubljana
Dutch Punch, St. Petersburg
2004 50. International Kurzfilmtage, Oberhausen
Media City Festival, Windsor

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