Sašo Vrabič
The Olympic Games in the World of Art

The International Biennial of Graphic Arts was founded with the aim of opening a 'window to the world'* for the artists from Slovenia and of removing the curtain that prevents foreign artists from peering into the small Slovene chamber; this is partly still the same, only today we have Bill Gates' Windows 2000. Has anything changed? Perhaps, perhaps not. Nowadays interest in exhibitions of graphic works, just like interest in exhibitions of paintings or products (art works) executed in specific media, has somewhat changed. Larger emplacements are a little annoying for tha viewer, especially in the case of video biennials, where we consume a large number of works but certainly not all of them (which we can do with the help of TV or video remote control). After major or minor exhibitions we are left wit catalogues such as this one; it is a graphic artwork, a printed product in its own right. Do not get me wrong: the idea of large exhibitions is good all the same. Take the phenomenon of the Ljubljana Biennial of Graphic Arts, for example. I have always enjoyed walking through the various rooms and looking at soley graphic works; this is the essence of the Biennial. Indeed, I have always been fascinated by the fact that there are always so many participating artists from all corners of the world. I have always thought about what it is that makes a work that recieves an award so much better then all the others; I have never reached a straightforward answer. Perhaps this is not so important, but I know that artists also like to compete at biennials, which are like Olympic Games in the world of art and therefore worth visit. True, there is less noise about them then about sports, and these events also run more quietly, usually without fans or without sponsors filling TV screens with their ads so that we can take a short break and run for a snack and a drink. Well, perhaps only one per cent of the world's population has an interest in them; nevertheless, openings are regulary filled with everything usually offered during ad breaks. A real Olympic Games opening! Do you think I'm exaggerating? I could be... Everything for the sporting spirit, or: Hey, hey, hey! 'The Biennial goes forward!'**
The idea and concept that will mark the 24th International Biennial of Graphic Arts is an interesting one, pointingas it does to an evaluating of graphic arts within the broader framework of printing, media and society. It is also nice to have the Off-Biennial, which promotes expansive and different views enabled by the Internet and its interactive connections, which allow us to select images and compose those selected into our own impressions. What I have in mind here is, first of all, variance and difference. The actualisation and manifestation of these sorts of ideas matches the activities of a large segment of artists of my generation; it actualises the seen, it materialises the other nature, the nature of electronic impulses. Is it tru that people really can no longer communicate without electronic intermediaries? Printing developed out a wish for multiplication; its inherent nature reproducibility. Newspapers are being printed daily in large numbers of copies and some of them are being transmitted in electronic form with an even larger circulation. Thus, graphic arts always appear wherever there are people. Graphic art is a public medium, as has been the case with the telephone as a medium that has already surpassed its primaly function of communication. In fact, daily information no longer requires paper, unless one is exessively emotional about the smell of coffee and the rustle of recycled paper. Our culture will not renounce the book or the newspaper, classic as they are, any time soon. Harry Potter is a world bestseller; although it is printed without illustrations and graphic supplements, everybody reads it like crazy, including those who have only just started to read. The essence is thus the idea rather then medium. It is not only graphic artist but all creators that are most fond of it: the idea.

Translated by B. Cajnko

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Footnotes:

* Likovne besede, No.2, May 1986, p. 57.
** The slogan that appears on the invitation to the 24th International Biennial of Graphic Arts, MGLC, Ljubljana 2001.

 

 


[ Slovenska verzija ]

Design by Bons

Text published in the catalogue of 24th international biennial of graphic arts in Ljubljana, editor: Mirjam Behek, MGLC, Ljubljana 2001, pp.53-55.
ISBN 961-6229-03-6