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Sašo
Vrabič
The Olympic Games in the World of Art
The
International Biennial of Graphic Arts was founded with the aim
of opening a 'window to the world'* for the artists from Slovenia
and of removing the curtain that prevents foreign artists from peering
into the small Slovene chamber; this is partly still the same, only
today we have Bill Gates' Windows 2000. Has anything changed?
Perhaps, perhaps not. Nowadays interest in exhibitions of graphic
works, just like interest in exhibitions of paintings or products
(art works) executed in specific media, has somewhat changed. Larger
emplacements are a little annoying for tha viewer, especially in
the case of video biennials, where we consume a large number of
works but certainly not all of them (which we can do with the help
of TV or video remote control). After major or minor exhibitions
we are left wit catalogues such as this one; it is a graphic artwork,
a printed product in its own right. Do not get me wrong: the idea
of large exhibitions is good all the same. Take the phenomenon of
the Ljubljana Biennial of Graphic Arts, for example. I have always
enjoyed walking through the various rooms and looking at soley graphic
works; this is the essence of the Biennial. Indeed, I have always
been fascinated by the fact that there are always so many participating
artists from all corners of the world. I have always thought about
what it is that makes a work that recieves an award so much better
then all the others; I have never reached a straightforward answer.
Perhaps this is not so important, but I know that artists also like
to compete at biennials, which are like Olympic Games in the world
of art and therefore worth visit. True, there is less noise about
them then about sports, and these events also run more quietly,
usually without fans or without sponsors filling TV screens with
their ads so that we can take a short break and run for a snack
and a drink. Well, perhaps only one per cent of the world's population
has an interest in them; nevertheless, openings are regulary filled
with everything usually offered during ad breaks. A real Olympic
Games opening! Do you think I'm exaggerating? I could be... Everything
for the sporting spirit, or: Hey, hey, hey! 'The Biennial goes forward!'**
The idea and concept that will mark the 24th International Biennial
of Graphic Arts is an interesting one, pointingas it does to an
evaluating of graphic arts within the broader framework of printing,
media and society. It is also nice to have the Off-Biennial, which
promotes expansive and different views enabled by the Internet and
its interactive connections, which allow us to select images and
compose those selected into our own impressions. What I have in
mind here is, first of all, variance and difference. The actualisation
and manifestation of these sorts of ideas matches the activities
of a large segment of artists of my generation; it actualises the
seen, it materialises the other nature, the nature of electronic
impulses. Is it tru that people really can no longer communicate
without electronic intermediaries? Printing developed out a wish
for multiplication; its inherent nature reproducibility. Newspapers
are being printed daily in large numbers of copies and some of them
are being transmitted in electronic form with an even larger circulation.
Thus, graphic arts always appear wherever there are people. Graphic
art is a public medium, as has been the case with the telephone
as a medium that has already surpassed its primaly function of communication.
In fact, daily information no longer requires paper, unless one
is exessively emotional about the smell of coffee and the rustle
of recycled paper. Our culture will not renounce the book or the
newspaper, classic as they are, any time soon. Harry Potter is a
world bestseller; although it is printed without illustrations and
graphic supplements, everybody reads it like crazy, including those
who have only just started to read. The essence is thus the idea
rather then medium. It is not only graphic artist but all creators
that are most fond of it: the idea.
Translated by B. Cajnko
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Footnotes:
* Likovne besede, No.2, May 1986, p. 57.
** The slogan that appears on the invitation to the 24th International
Biennial of Graphic Arts, MGLC, Ljubljana 2001.
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[
Slovenska verzija
]

Text published in the catalogue of 24th international biennial
of graphic arts in Ljubljana, editor: Mirjam Behek, MGLC,
Ljubljana 2001, pp.53-55. ISBN
961-6229-03-6
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