Slovenian
syllabus for art in primary education doesn’t envisage copying works
of art of well known painters, but it can be the choice of the
teachers to decide using it as a model of creation. Some pedagogical
advisors are even against it.
While
on the other hand this technique is incorporated in the secondary
school syllabus for art.
If
teachers of art in primary school decide to use it in the program,
they should take in account that the aims of it are totally different
comparing to those used at a higher level.
Let’s
present the main objectives
of the mentioned technique:
- motivation
for getting to know, perceiving and valuing artwoks
- a good example for resolving a specific art problem (for example –
contrasts, composition…)
- to
experience artwoks with certain emotional engagement and thus to use
it also when creating their own artworks
We
believe that in primary education we can’t expect students to copy
the paintings exactly as they are, but to interpret them in entirely
original way.
So
we can say that with the kids’ creation the artwork experiences
metamorphosis and because this metamorphosis is originated with the
help of a computer we named this project Computer
metamorphosis.
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We
wanted to try out the project with our students to see how it works in
reality. Metka Miljavec our art teacher has chosen the artwork (Red
umbrella – parasol) of a well known Slovenian impressionist painter
Matej Strnen. Why? Let’s present the reasons for her decision.
Students
are (by our syllabus for grade 6) expected to resolve a special task,
that is colour complement contrast (students aged 12-13). In the given
artwok students can see how the artist has demonstrated contrast of
red and green cast (shade). Standing figure generally presents very
static composition. But this painting gives students opportunity to
become aware of how a stiff static scene can be set in motion with the
help of colour contrast and lines (horizontal, vertical, inclined
lines).
They
can observe how the light influences the structure of the painting. In
our case the light pierces through parasol and colours the face of the
woman and parts of her dress.
We
experienced that the motive and the colour of the painting engages
students’ emotions.
Solkan Primary School
Metka Miljavec
Viljenka Šavl |