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Haunted
by Detail
A
project by De Appel's Curatorial Training Programme 2002
16
November, 2002 - 5 January, 2003
Exhibition
opening Friday 15 November, 6 - 8pm
Erick
Beltran
Emese Benczúr
David Claerbout
Karl Holmqvist
Koo Jeong-a
Leopold Kessler
Rivane Neuenschwander
Anri Sala
Scanner
Sean Snyder
Marco Vaglieri
Barbara Visser
Akram Zaatari
Tarek Zaki.
Aesthetic
Movement, a lecture/performance by Karl Holmqvist on 16 November
at 3pm
Film
and Video Program at the Amsterdam Filmmuseum, Vondelpark 3, on
16, 17, 19, 21 November and 1, 2, 3, 5 December at 7:30pm except
17 November at 3:30pm.
Stichting
De Appel is at Nieuwe Spiegelstraat 10, 1017 DE, Amsterdam, The
Netherlands
T: +31 20 62 55 651 - F: +31 20 62 25 215
E: press@deappel.nl - W: http://www.deappel.nl
Stichting De Appel is open Tuesday through Sunday, from 11am to
6pm
Haunted
by Detail is a project, which includes an exhibition at Stichting
De Appel, a Film and Video Programme at the Filmmuseum, and a publication.
The
Exhibition presents practices by international artists who challenge
the conventional definition and role of metaphor within contemporary
artworks. These artists who, in the midst of daily urban existence,
rediscover neglected details and communicating a life through them.
They frame and bring to light specific moments, objects, memories
and/or stories in their artworks. These details function as metaphors;
but metaphors, which are tangible. They ground our perception in
the mundane and force us to consider what we already know yet disregard.
These practices invite us to question our knowledge and perception,
and the way in which we have categorised and processed them.
These
artists are Erick Beltran (Born 1974 in Mexico City, lives in Amsterdam),
Emese Benczúr (Born 1969 in Budapest, lives in Budapekszi), David
Claerbout (Born 1969 in Kortrijk, lives in Berlin), Karl Holmqvist
(Born 1964 in Västers, lives in Berlin), Koo Jeong-a (Born 1967
in Seoul, lives in Paris) Leopold Kessler (Born 1976 in Munich,
lives in Vienna), Rivane Neuenschwander (Born 1967 in Belo Horizonte,
lives in Belo Horizonte), Scanner (Born 1964, London, lives in London),
Sean Snyder (Born 1972 in Virginia Beach, lives in Berlin), Marco
Vaglieri (Born 1959 in Milan, lives in Milan), Barbara Visser (Born
1966 in Haarlem, lives in Brussels), Akram Zaatari (Born in 1966
in Saida, lives in Beirut) and Tarek Zaki (Born 1975 in Rhyad, lives
in Cairo).
The
Film and Video Program proposes that a renewed consciousness of
filmic heritage has led diverse artists to remodel their own visual
language according to particular visual features and styles. Rather
than taking a full retrospective view, but through an exploration
of the imagination and the resources of historical key filmmakers,
an understanding of contemporary art's audio-visual dynamics is
suggested. The program presents examples of celebrated but not so
often seen film works, produced during the decisive years in which
modern independent cinema established itself, juxtaposed with contemporary
video works. These newly-arranged and narrated stories, created
by diverse audio-visual artists, are a testing ground for contemporary
sensibilities in dialogue with established history.
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Screenings
Public
& Private 16 & 19 November
Hassan
Khan (Egypt), tabla dubb no. 9 (2002) 3' 36", this is THE
political film (1998) 1', the eye struck me and the lord of the
throne saved me (1997) 2', fuck this film (1998) 3' 40, sometime/somewhere
else (2001) 1' 30", six questions to the lebanese (2001)
1', 100 portraits (2001) 1' 40"
Leopold Kessler (Austria), Demo, 2002, 12'
Robert Bresson (France), Pickpocket, 1959, 75'
Fiction
& Form 17 & 21 November
Rivane
and Sérgio Neuenschwander (Brazil), Love Lettering, 2002, 6´32"
(Brazil)
Gernot Wieland (Austria) Nachahmung, 2001, 1' , Unter anderen
Voraussetzungen, 2000, 1' 30", Eine mögliche Wiedergabe allgemeiner
Dinge, 2002, 1' 30"
Deborah Ligorio (Italy), Pattern, 2001, 1', Emptiness, 2001, 1',
Density,
2002, 1', Cycle, 2002, 1', Hyperdevelopment, 2002, 1'
Frank Bretschneider (Germany), selected animations, 2000, 15'
Derek Jarman (UK), Blue, 1993, 75'
Now
& Again 1 & 3 December
Akram
Zaatari (Lebanon), The Red Chewing Gum, 2000, 10'
Pia Rönicke (Denmark), Outside the Living Room, 2000, 9'
Szacsva y Pal (Hungary), Fingerings, 1996, 6'
Miha Vipotnik (Slovenia), Gazele, 2000
Ingmar Bergman (Sweden), The Silence 1963, 91'
Arrival
& Departure 2 & 5 December
Kirsten
Pieroth (Germany), Untitled, 2001, 2'
Dominique Ghesquiere (France), Le Salon, 2001, 3'
Saso Vrabic (Slovenia); Can't Undo, 2001, 10'
Ilker Canikligil (Turkey), Simulacra, 2001, 13'
Pia Rönicke (Denmark) Some Where Out There, 1998, 9'
Johan Grimonprez (Belgium), Dial H-I-S-T-O-R-Y, 1997, 75'
All
screenings are scheduled at 7:30pm except on 17 November at 3.30pm
The
Publication includes essays by Annette Balkema, Jeroen Boomgaard,
Rosi Braidotti and the curators, and will be available mid-December.
The
Curatorial Training Programme 2002 are Mai Abu ElDahab (Egypt),
Francesco Bernardelli (Italy), Nikola Dietrich (Germany), Edit
Molnár (Hungary), Natasa Petresin (Slovenia) and Basak Senova
(Turkey).
Special
thanks to the supporters of this project: Adria Airways, Slovenia;
Austrian Embassy, Den Haag; City Council of Ljubljana; Drukkerij
Mart.Spruijt, Amsterdam; European Cultural Foundation, Amsterdam;
Filmmuseum, Amsterdam; The Ford Foundation (Middle East and North
Africa), Cairo; French Cultural Institute, Amsterdam; Hakan Guleryuz
Inc., Istanbul; Istanbul Foundation for Culture and Arts, International
Istanbul Biennial; Istituto Italiano di Cultura per i Paesi Bassi,
Amsterdam; Ludwig Foundation, Budapest; Maison Descartes, Amsterdam;
Ministry of Culture of the Republic of Slovenia, Ljubljana; National
Cultural Fund of Hungary, Budapest; Prins Bernhard Cultuurfonds,
Amsterdam; The Thami Mnyele Foundation, Amsterdam.
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